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the MONEY issue At the {warehouse}, we jive to the rhythm of our own bass. To us, wealth is not good (or bad), capitalism (or socialism) is not right (or wrong) and Marois is not (merely) a two-faced linguistic nazi. We prefer nuance and subtlety. For those who also jam to Mathematics, we present to you the {money} issue. It’s stirred not shaken. | digital & print edition..coming soon! | to reserve your copy email access@stockthewarehouse.org |
Aris Moore | artist statement
I hope to travel between the spaces of known and unknown, between adulthood and childhood to create an experience that is revealing, but not revealed. I want an ambiguity that makes the content less controlled: a figure with a smile that is taken at face value by some and is questioned by others; or figures that hold each other, and to some reveal comfort and to some control. Ultimately, the space between the question and the answer: between the occurrence and its recollection; between one’s truth and that of another; are the spaces that I am most interested in. The questions are far more interesting than the answers and remain constant, while the answers change over time.
Todayʼs Special by the Brooklyn-based artist and chef Julia Ziegler-Haynes, illustrates the final meals or “special meals,” requested by 24 death row inmates on the eve of their execution. Her intention in creating this work is to examine the human condition through the contrast of capital punishment and the forgiving gesture of granting one last request.
1] Jackie Lee Willingham | July 24, 2003 | Fettuccine Alfredo, a small deep-dish pepperoni pizza, breadsticks and two Peppermint Patties.
3] Lewis Eugene Gilbert, II| July 1, 2003 | A half-gallon of vanilla ice cream, a box of Whoppers and a box of assorted ice cream cones.
4] James Rexford Powell | October 1, 2002 | One pot of coffee.
5] Robert Anthony Bell | September 24, 2002| A single black, unpitted olive.
Milton Rogovin | www.miltonrogovin.com
In 1957, Milton Rogovin was declared “The Top Communist in Buffalo”. In reality, he was an optometrist actively registering Black voters. Refusing to be silenced, Rogovin dedicated his lifetime to capturing the humanity of working people, the poor and the forgotten ones. Milton's photographs are a part of the documentary photography collections of the Library of Congress, the J. Paul Getty Museum, the Center for Creative Photography and other distinguished institutions around the world.
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